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The sound of hammers striking strings, resonating through solid spruce. Warm vibrations that illuminate a room, leaving its audience enchanted. The natural voice of an acoustic piano is truly unmistakable.
A fine piano entices musicians to perform with spontaneity and passion, yet such unbridled expressiveness may not always be appropriate. Indeed, in certain environments, an acoustic piano can prove disruptive; the diligent tones of children practising scales are unlikely to be welcomed by other family members wishing to watch television, while even the most gentle, soothing chopin preludes have the potential to irritate neighbours if performed after an acceptable time.
Fortunately, AnyTimeX2 instruments incorporate an acoustic muting feature with powerful digital audio components, allowing pianists to continue enjoying the distinctiv feeling of a traditional piano, while listening discreetly using private headphones. Exceptional touch, optimum responsiveness, digital flexibility:
The new range of AnyTimeX2 hybrid pianos from KAWAI.
In 1971 KAWAI revolutionised piano technology by introducing ABS action parts within the fine workings of the piano action. This rigid, atmospherically stable compound material, addressed many of the problems associated with wooden components, such as breakages under continual high stress, and shrinking and swelling due to changes in climate. The introduction of ABS action parts proved a significant development in modern piano design, and rapidly earned high praise from pianists and technicians worldwide. The Millennium III Upright Action, unveiled in 2006, has been developed to enhance the three performance elements that professional pianists most desire - speed, control and power. The introduction of stronger ABS Carbon materials has allowed KAWAI scientists to develop lighter action parts without sacrificing durability, further optimising key repetition and response speed for a truly unparalleled playing experience.
With the acoustic components muted, KAWAI AnyTimeX2 pianos employ a unique digital technology, developed and refined at the Shigeru Kawai Research & Development Laboratory in Ryuyo, Japan, calling upon the finest hand-crafted KAWAI EX Concert Grand piano to deliver an unmistakably warm, authentic tone. Placed inside a purpose-built anechoic chamber, free of audio reflections, the rich sound of this world class instrument is meticulously analysed and recorded by our Master Piano Artisan pioneers. The acoustic portrait of each note is later transformed into a highly precise three dimensional digital representation, employing KAWAI's proprietary Harmonic Imaging™ technology. This unique process faithfully reproduces the broad dynamic range of the original grand piano, while also providing the source for a rich selection of additional high-quality instrument sounds.
IHSS Sensor System
A fine acoustic piano entices musicians to perform with enthusiasm, spontaneity and passion. Yet, the satisfaction that one enjoys when hammers strike the strings is often diluted by traditional piano silencing techniques. Sensors located below the keyboard struggle to accurately interpret the subtleties of musical expression, which is why AnyTimeX2 pianos integrate sensors within the fine workings of the piano action, reading the precise movements of each hammer. Whether performing rapid passages that demand the same key be played repeatedly before returning to its natural starting position, or pianissimo pieces desiring the very softest of key strokes, the Integrated Hammer Sensing System (IHSS) represents the elaborate nuances of every note. Pianists can finally enjoy the convenience of absolute privacy, without sacrificing the responsive touch and authentic expression of a traditional acoustic piano.
The AnyTimeX2 control box is placed below the keybed. In addition, the AnyTimeX2 and AnyTimeX2-f models feature an innovative slide-out control panel, with a gentle push revealing an LCD display and array of function buttons. Digital operation greatly extends the capabilities of the AnyTimeX2 piano beyond that of a traditional acoustic instrument, with convenient transpose and tuning facilities, a metronome and song recorder (except K-15 ATX2-p), and a selection of high fidelity sounds suitable for various musical occasions. Dual headphone sockets provide greater flexibility for academic institutions, while other connectors allow a range of creative music-making opportunities.
Harmonic Imaging XL (HI-XL)
With expanded piano sound memory, the new AnytimeX2 and AnyTimeX2-f models boasts the largest sample size of any Kawai digital piano. This ‘eXtra Long’ standard of Harmonic Imaging technology extends the important attack portion of the piano sound by up to 120%, articulating the natural detail and resonance characteristics of each note more clearly, and improving the instrument’s organic tonal quality overall. When playing a fine piano, the amount of pressure applied to the keyboard affects not only the volume of the sound produced, but also the unique tonal character of each note. Therefore, in order to construct a realistic acoustic portrait of the EX concert grand piano, not only is each key recorded individually, but also at various different volume levels, ranging from gentle pianissimo to thunderous fortissimo.
AnytimeX2 and AnyTimeX2-f models offer a highly detailed acoustic portrait, with Harmonic Imaging XL technology ensuring smooth tonal transitions across the keyboard and throughout the entire dynamic range.
88-key Piano Sampling
The beautiful sound of the Kawai EX concert grand piano is at the heart of the new AnytimeX2 series, with all eighty-eight keys of this world-class instrument painstakingly recorded, meticulously analysed, and accurately reproduced as high-fidelity digital waveforms.
Recording each key individually in this way – as opposed to stretching the same tone over several different notes – preserves the rich harmonic character of the EX concert grand piano, and guarantees that the sound heard when playing any key is a faithful representation of the original acoustic source.
Akustik Piano variety
The AnytimeX2 models showcase a variety of grand piano sounds that are suitable for a wide range of musical periods and styles. In addition, a traditional Kawai upright piano sound is also included for pieces that suggest a feeling of nostalgia, or call for a slightly more intimate tonal character (except K-15 ATX2-p).
An experienced piano technician is essential to fully realise the potential of an acoustic piano. As well as meticulously tuning each note, the technician performs regulation and voicing adjustments that allow a fine instrument to truly sing. The Virtual Technician function in the new AnytimeX2 and AnyTimeX2-f models simulate such refinements digitally. Players can perform touch and voicing adjustments, regulate hammer and key release noises, and fine-tune string, lid, and damper resonances. It is even possible to adjust the precise tuning and volume of individual notes – all in real-time.
The Variety of a Digital Piano
Supplementing the beautiful acoustic piano voices, the AnytimeX2 models also feature an excellent selection of additional sounds, ranging from electric piano and drawbar or church organ, to strings, and other instruments, inviting musicians to add variety to their performances.
The AnytimeX2 and AnyTimeX2-f models feature several keyboard modes. The Dual playing mode allows two different sounds, such as grand piano and strings, to be layered together, while the Split and Four Hands modes divide the keyboard into two independent sections. The volume balances and can be adjusted quickly and easily.
Redeveloped Effects & Reverb
The AnytimeX2 and AnyTimeX2-f models powerful new digital effects engine further enhances the instrument’s superior core sounds, applying additional layers of detail and realism that bring performances to life.
Studio quality chorus, tremolo, delay, and auto-pan effects can be used to tailor a sound’s character and feeling, with modelled amplifier/speaker simulations applying vintage warmth to electric pianos and trademark growl to drawbar organs.
The depth of a performance can then be transformed using the updated reverb features, allowing pianists to position themselves within one of six acoustic environments, ranging from a small practise room to an inspirational grand cathedral.
Flexible USB/MIDI Connectivity
The AnytimeX2 and AnyTimeX2-f models are equipped with MIDI connectors that allow the instrument to be connected to a computer or MIDI-instruments for MIDI use.
The USB to Device functionality (except K-15 ATX2-p) allows favourite instrument settings, and memorable recorder songs stored in internal memory to be safely preserved on USB, or standard MIDI files (SMF) downloaded from the internet to be listened to using the instrument’s exquisite Harmonic Imaging XL sounds without additional hardware.
MP3 Audio Playback & Record
USB memory devices can also be used to play back MP3 or WAV audio files (except K-15 ATX2-p), allowing musicians to learn the chords or melody for a new piece, or to simply play along with their favourite songs. It is even possible to record entire performances (including external line-in audio*) directly as MP3 or WAV audio files for emailing to family and friends, or casual listening away from the piano.
Useful Connectivity Options
In addition to the USB to Device connector, the AnytimeX2 and AnyTimeX2-f models also feature standard LINE-level audio and MIDI jacks. These useful connectivity options allow the instrument to be enjoyed in larger settings such as churches or school halls, and provide greater flexibility when using computers and other audio devices.
Integrated Lesson Function
The convenient lesson function (except K-15 ATX2-p) allows aspiring pianists to learn piano with classical Czerny, Burgmüller, Beyer and Bach etudes. With a strong emphasis on acoustic piano realism, both models also feature traditional finger exercises, scales, and warm-up drills, and include a companion book of printed scores to further aid one’s practise.
The AnytimeX2 models are equipped with a power saving feature which turns off the piano automatically after a specified period of inactivity.
Soundboard Speaker System (ATX-f models)
The K-500 ATX2-f allows digital features to be used without headphones, channelling sound energy back onto the piano’s wooden soundboard.
|Soundboard||1,45qm Solid Spruce|
|Hammers||Mahogany / Underfelted|
|Kind of key recognize||IHSS, optical sensors|
|Sound Source||Harmonic Imaging™ XL (HI-XL), 88-key piano sampling|
|Sounds||27 (Concert Grand, Concert Grand 2, Studio Grand, Studio Grand 2, Mellow Grand, Mellow Grand 2, Upright Piano, Modern Piano, Rock Piano, Classic E. Piano, 60’s E.P., Modern E.P., Jazz Organ, Church Organ, Harpsichord, Harpsichord Oct., Vibraphone, Celesta, Slow Strings, String Pad, String Ensemble, Harp, Pizzicato Str., Choir, Wood Bass, Finger Bass, W. Bass & Ride)|
|Polyphony||max. 256 notes|
|Reverb||5 (Room, Lounge, Small Hall, Concert Hall, Live Hall, Cathedral)|
|Reverb Parameters||Reverb Depth, Reverb Time|
|Effects||Stereo Delay, Ping Delay, Triple Delay, Chorus, Classic Chorus, Tremolo, Classic Tremolo, Auto Pan, Classic Auto Pan, Phaser, Rotary, Combination Effects x 4, Amplified Effects x 3|
|Effect Parameters||Dry/Wet, Time, Speed, Mono/Stereo, Accel./Rotary Speed – Parameters dependent on effect.|
|Keyboard Modes||Dual Mode, Split Mode, Four Hands Mode (Volume/Balance adjustable)|
|Touch Curves||Light+, Light, Normal, Heavy, Heavy+, Off (Constant), User 1, User 2|
|Temperament||Equal Temperament (Equal Piano Only), Pure Temperament (Major), Pure Temperament (Minor), Pythagorean, Meantone, Werckmeister III, Kirnberger III, Equal Temperament (Flat), Equal Temperament (Equal Stretch), USER Temperament|
|Internal Recorder||10 song, 2 track recorder – approximately 90,000 note memory capacity|
|USB functions: Audio Playback||MP3: 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, Bit Rate: 8-320 kBit/s (constant & variable) WAV: 32 kHz/44.1 kHz/48 kHz, Mono/Stereo|
|USB functions: Audio Recording||MP3: 44.1 kHz, 16 bit, Stereo, 192 kBit/s (constant) WAV: 44.1 kHz, 16 bit, Stereo, 1,411 kBit/s (uncompressed)|
|Further USB functions||Load Internal Song, Load User Memory, Save Internal Song, Save SMF Song, Save User Memory, Rename File, Delete File, Format USB, Convert Song to Audio, Overdub Audio|
|External Media||USB Stick, USB Disk Drive, USB Harddisk|
|Metronome||1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8 + 100 drum rhythms|
|Virtual Technician||Intonation, Damper Resonance, Damper Noise, String Resonance, Key-off Effect (incl. Key-off Release), Fall-back Noise, Hammer Delay, Topboard, Decay Time, Soft Pedal Depth, User Temperament, Key of Temperament, Stretch Tuning, User Tuning, User Key Volume, Half-Pedal Adjust, Minimum Touch|
|Display||128 x 64 pixel LCD with backlight|
|Power Consumption||ATX2: 20W / ATX2-f: 25W|
|Output Power ATX2-f||15W + 10W|
|Jacks||LINE IN (Stereo Mini Jack), LINE OUT (Stereo Mini Jack), Headphones x 2, MIDI (IN/OUT), USB to Device|
|Accessories Included||Headphone, AC Adaptor PS-154, Music Books for Lesson Function, Owner's Manual|
|Size in cm (HxWxD)||130 x 150 x 62|
|Weight in kg||ATX2: 245 / ATX2-f: 247|